JAMMING IN ST JAMES

 

By Marc Muneal

Express

December 31, 1999

Page 30

 

Calypsonian Eddie Yearwood (not to be confused with Edwin Yearwood of Krosfyah fame) gives you a song-full of pan trivia in his "St James Jam."

 

Yearwood, a panman, also has a song called "Leave Him Out" for Carnival 2000, which he will perform at Tuco's Klassic Ruso Tent at Soca Boat.  That one deals with the issue of domestic violence.

 

In this song, he advises women to make sure they know who and what they're getting into before committing.

 

"St James Jam" tells of how important Yearwood's hometown was in the development of pan.

 

"As a St James boy, I wanted to highlight the town because it is a place of a rich cultural heritage.  Pan grew up there."

 

The research for "St James Jam" was based on information given to Yearwood by Norman Darway, a man who he describes as "the walking St James encyclopaedia."

 

The St James pan trivia about which Yearwood sings includes that:

 

The pan originally used to be held in one hand and played by a stick with the other.  St James bands were the innovators of "Pan round de neck."

 

Ellie Mannette, another St James boy, was the first to put the rubber at the end of pan-sticks.

 

Steelpan came into being in 1939.  By 1940 St James had as many as seven steelbands.

 

The band "Pioneer" in 1941 had the first-ever steel captain of East Indian descent, Sokhoo Jagessar.

 

In 1956, Tripoli was the first steelband to use amplifiers.  That same band would also tour the world with piano great Liberace.

 

St James bands were the first to introduce pan on wheels.  Yearwood said that when they did this, other steelbands made fun of them, saying that they were "selling palette, not playing pan."

 

"St James Jam" is not Yearwood's first attempt at a song aimed at bringing recognition to the national instrument.

 

In 1998, he composed and sang "No Pan in de Party', which earned him 17th place in the Pan Calypso Competition.  That song lamented the fact that there were all other kinds of music from other countries at fetes and parties in Trinidad, but no pan.

 

Yearwood says he is making it his personal quest to bring pan back to the country, because "Pan is not ours anymore, we have lost it."

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