OUR SPANISH HERITAGE

 

Trinidad Guardian

January 1, 2000

Page 4

 

PARANG'S IMPACT ON OUR VOCABULARY

Serenal

The serenal introduces the parang band and gives greetings to the members of the household.

Despuedir

Despuedir is a farewell song.

Aguinaldo

A song on the life of Christ is referred to as an Aguinald.  The Aguinaldo may be divided into Annunciacion and Nacimiento.

Annunciacion

Songs which deal mainly with the announcement to Mary that she was chosen to be the mother of Christ.

Nacimiento

Tells about the birth of Christ.

 

Between the years 1687 to 1837 Capuchin Monks from Spain set up missions in different parts of the island to teach the native Amerindians Christianity.

 

The priests found that the natives loved music and were quick at learning it so they composed songs on different parts of the Bible, such as songs dealing with the life of Christ and taught them to the natives.

 

Today paranderos sing at Christmas time about the birth of Christ in their parang songs.

 

Some scholars claim that parang is derived from the Venezuelan-Spanish word "paranda" which means to go from house to house to fete.  Gordon Rohlehr in Development in Caribbean Music - A Caricom UNDP UWI Project: "Parang is a combination of Spanish lyrics, Venezuelan music and Trinidad rhythms."

 

Daphne Pawan-Taylor, author of Parang of Trinidad, a publication of the National Cultural Council of 1979, in her attempt to explain how it all started, writes, "Parang is a term which identifies a custom belonging to Trinidad's Hispanic Heritage.  The word itself is neither Spanish nor English.  It is the colloquial term for "parran", the abbreviation of "parranda", the Spanish word which means a spree, or carousel, or a group of more than four people who go out at night singing to the accompaniment of musical instruments."

 

Folklorists, cultural anthropologists and ethnomusicologists who have studied the history of Spain, its language, and its music, from 1498-1797 (the period of Spanish rule of Trinidad), have come to the conclusion that while parang, in the early period of our history, was influenced by religion, the music is a product of the 19th century.

 

The rhythm (3/4 : 6/8 beat) is influenced by the early economic and social environment of Spain during the Spanish rule of Trinidad and Venezuela (1498 to 1797), the Spanish spoken in Venezuela, the Roman Catholic Church, the frequent interchange of visits by inhabitants of both countries throughout the years, and the poetry and song of the people of the remote coastal villages to the east of Venezuela in proximity to Trinidad.

 

One can find in the parang music of Trinidad the folk-culture of Venezuela.  Paranderos of Trinidad sing the Manzanare, the Galeron and the Aguinaldo.

 

The remote village of Cumana, through which the river Manzanare flows, has inspired the singing of the parang songs called the Manzanare by paranderos of Trinidad.

 

Noteworthy is the fact that the ancestral Spanish village of Lopinot in Trinidad has its own version of the Manzanare, which tells of the flow of the Lopinot River through the centre of the Lopinot Village.

 

Margarita, another remote town of Venezuela is the home of the Galeron - referred to as the "Cross-way" by paranderos of both countries.

 

The Galeron at Margarita is sung in the month of May known also as the Month of the Mother and the Month of the Flower.

 

Through the singing of the Galeron the people of Margarita relive the sufferings experienced by the Christ of the Christian Church, and they re-enact the stations leading to his death on the cross.

 

The Galeron, though a dying musical art-form of the parrandero population of Trinidad, can still be heard at the remote traditional Roman Catholic villages of Mamoral, Rancho Quemado, and Lopinot among singers of the authentic parang.  The Aguinaldo of Trinidad parang is made up of the Annunciacion and the Nacimiento.

 

The Annunciacion tells of the visit of the angel Gabriel to Mary and the announcement of the birth of Jesus Christ while the Nacimiento tells the story of the 12 days of Christmas - the birth of Christ.

 

Other parang songs of the Venezuelan east coast influencing the parang of Trinidad and sung by the parrandero of Trinidad are the Estribrillo, Sabana Blanca, Joropo and Guarapo.

 

A farewell song called a Despuedir is rendered by departing paranderos as they head for another home to serenade.

Source

Researched by Arlene Thomas and Barbara Harris, Education Broadcasting Officers, Schools Broadcasting Unit, Ministry of Education, in association with:

Cynthia Ross, National Parang Association

The Guerrero Family, Practitioners of the Traditional Authentic Parang, of the Community of Lopinot

The Salina Family

The Gomez Family

Leonard Burnley

Jose Fernandez of the Venezuelan Embassy

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