SUNDAR POPO

1943-2000

 

Looking back at a life

 

By Marc Muneal

Express

May 4, 2000

Page 7

 

Sundar Popo remained cheerful to the end.

 

He had lost his sight and his kidneys failed after a long history of diabetes.  He died on Tuesday.

 

In his last days, he appealed for help in paying his medical bills.

 

He was having dialysis treatment three times a week and the medicals bills were high.

 

Last week, Shastri Ali, permanent secretary in the Ministry of Social Development, said that a committee had been set up to raise funds for cultural icons.  The committee has met once, but funds had not yet been allocated for needy cultural icons and national achievers.

 

Popo, however, lived a cheerful life to the last.

 

His wife, Kayso, was too emotional to speak about the passing of her beloved husband; Natasha Sundar, 14-year-old daughter of the singer's son Tony, spoke about eh last two days with her grandfather.

 

"Since he came back on Sunday, he was all happy.  His family was here, and everyone was visiting.  He was listening to his own music and enjoying it, having a nice time and making his jokes as usual."

 

"Then he felt a little sick and wanted to go for the dialysis.  He said that after the dialysis he would feel fine."

 

"So he went for it, and then…"

 

When he died on Tuesday, Natasha was shocked.  "I couldn't believe it," she said more than once.

 

Andrew Joon, Natasha's maternal grandfather, took care of Popo in New York for the past two months.  He and his wife are both saddened and upset by Popo's unexpected death.  They spoke about it from New York:

 

"On Saturday, he went for dialysis and he couldn't receive it, so they had to do an emergency operation.  They rushed him to Queens General Hospital for the operation.  On Sunday he left for Trinidad."

 

Mohan Jaikaran, JMC Entertainment president and Popo's promoter, had begged him not to return home.

 

"We had good days and bad days, and it is very sad to know that he has died.  I pleaded with him not t come to Trinidad because he was on dialysis three times a week.  But he insisted and followed his heart."

 

Jaikaran reportedly gave Popo US $1,600 to make the trip.

 

Joon's wife also appealed to Popo.

 

"I told him, 'Sundar, if you're not feeling good, don't go.  Trinidad won't run away.'  But he said he had to come back to see about trying to get some money for disability or something."

 

"His family had bills to pay."

 

Popo's death has caused three kings to bow their heads in sadness.

 

The reigning chutney soca monarch, as well as his two predecessors, expressed his grief at the legend's passing.

 

Rooplal Girdharrie was eloquent and emotional.

 

"Because of the way he has performed his music, his ability as a composer and artiste…the way he commanded the attention of people all around the world, Sundar was a great inspiration to me."

 

"He touched the lives of so many people locally and internationally."

 

Rikki Jai, two-time monarch, said: "Sundar Popo…A giant.  He was definitely a great inspiration to me."

 

"As a young boy when I started singing, it was his work I started off doing.  Recently I've covered two of his songs.  He was a part of me."

 

"He was a very quiet man, but his music did all the talking."

 

Heeralal Rampartap sang "Chutney Posse" and "Basmati" to win the monarch title in 1997.

 

But people thought it was Sundar Popo singing.

 

"Both of us were trained by the same Ustad (music guru), the late James Ramsawak.  Sundar was a contemporary.

 

"I respect his music, and I've learned a lot from him.  Everyone tells me that we sound alike; I think the closest voice to Sundar Popo's is mine."

 

"I've lost a part of myself."

 

Rampartap continued, "Last year, we were traveling on a plane to do a concert in New York.  He told me he wasn't feeling well and that if he goes one of these days, I should take his passport and carry on his music."

 

All three have expressed interest in doing a tribute for Popo; Rikki Jai said that he and 103 FM were planning a benefit concert to help with the singer's bills, but now that Popo had died, it would probably become a tribute concert.

 

"I want people to relies that we aren't just planning this because he dead.  We were planning this long before," said Rikki Jai.

 

Popo's family has said that the Government's offer to pay for the funeral was welcome.  They are not turning down any help.

 

The funeral takes place tomorrow, Friday.  The body will arrive at the house in Monkey Town at 10 a.m.; a procession will leave for Mosquito Creek for cremation at 1 p.m.

 

The family has invited the public to attend.

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HE MADE A DIFFERENCE

 

By Phoolo Danny

South Bureau

Express

May 4, 2000

Page 7

 

Sundar Popo, of Monkey Town Village, Barrackpore, died around 6:15 p.m. Tuesday, just hours after he chatted with friends and relatives about his life and career.

 

He died at the San Fernando General Hospital.

 

Popo's wife of 32 years, Kayso, said he died of a massive heart attack.  Earlier in the day, he went with relatives to make arrangements to return to New York on Friday to perform for a Mother's Day show, and he was jovial, she said.

 

On Sunday and Monday evening, several friends and relatives had visited Popo at his home, where he replayed some of his old hits.

 

The 58-year-old father of four and grandfather of 15 had been suffering with diabetes and had failing eyesight for some time.  He had minor surgery and dialysis treatment last Saturday at Queen's General Hospital after he was diagnosed with renal failure.  He returned to Trinidad on Sunday for a short stay.

 

Cultural activist Moen Mohammed wants Government to hold an official funeral for Popo.

 

In any event, Government will be paying funeral expenses.

 

Popo's musical career began as a young man singing bhajans at temples and weddings in his home village.

 

It was at a mattikoor (first night of a three-day Hindu wedding function) in Princes Town in 1969 that radio host and promoter Moen Mohammed met the young Popo.

 

Mohammed said: "He came up to me and said he had a local song that he wanted me to hear.  It was 'Nani and Nana', the first locally composed song with both Hindi and English lyrics.

 

"I got BWIA under maestro Harry Mahabir to record the song at Television House in 1969.  Up to today, that is the biggest local hit in the country."

 

Since then, Mohammed recorded seven long-playing records, ten cassettes and five CDs with all of Popo's locally composed songs.  He said: "I took him on tours all over the world, to Fiji, New York, Holland, Guyana, Suriname, London and many other places.  Popo had signed contracts with other promoters during his singing career.  The latest contract was with the New York based JMC, led by Mohan Jaikaran.

 

Mohammed said: "Popo broke the Indian and African barriers and people of all society bought his records and cassettes.  He has become a household name, not only in Trinidad and Tobago, but also in the Caribbean, Guyana, Suriname, Canada, USA, Holland and even in India."

 

He added: "He composed a song for all occasions but I would not really call him a chutney singer.  His songs were not lewd or crude like some of the chutney selections.  His songs were sung by singers from India."

 

Babla and Kanchan, the husband and wife team from India, adapted many of Popo's songs and made them into big hits.  "Children in India sing his songs," Mohammed said.

 

He described Popo as "no ordinary man.  He made a magnanimous contribution equal to any calypsonian in this country."

 

Tribute was paid in song to Popo by calypsonian Leroy Calliste (Stalin) and blind singer Asha Kamachee.

 

Mohammed said he married Popo and Kayso 32 years ago and his as the first Indian wedding shown on television.

 

"He was like a brother to me and to the people of this country.  He made a great contribution to the music of Trinidad and Tobago on an international scale."

 

Popo won numerous trophies and awards.  He composed songs on nature, love, politics, people, education, and values and on all types of topics.  He was the first winner of the Local Song category of the Indian Cultural Pageant in 1976.

 

Some of his memorable songs were: "Nani and Nana", "A Mother's Love", "Phulowrie Bina Chutney", "Tears in my Eyes", "Don't fall in Love", "Scorpion Sting Me", "Suragie".

 

Rafi Mohammed, another radio host and culture promoter, said: "He was friend.  He was a humble human being, very accommodating and helpful, kind."

 

George Singh, promoter of the annual Chutney Soca Monarch competition the last time Popo appeared on stage in Trinidad, said: "Sundar should be remembered for what he did.  I feel honoured that his last performance was on my stage."

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POPO'S RISE TO STARDOM

 

By Caldeo Sookram

Sunday Express

Section 2

May 7, 2000

Page 35

 

The little hamlet of Monkey Town in Barrackpore rose to prominence when Sundar Popo shot into the spotlight with his song "Nana and Nani".

 

Singing that popular number on Mastana Bahar for the first time in 1971, Popo's rendition caught the imagination of television and radio audiences with his lyrical blend of Hindi and English and spicy rhythmic beat.

 

Recording under the guidance of Moean Mohammed and music maestro Harry Mahabir, Popo turned out hit after hit and soon became a household name in this country.

 

"I put Sundar Popo on the map," asserts Moean Mohammed.

 

Fame and fortune were soon to follow.  And the demand for Popo to perform at both local and foreign concerts pushed him to international stardom.

 

Born on November 4, 1943, Sundar Popo started singing at an early age.  He often teamed up with top singers and orchestras for concerts and weddings.  Although he displayed talent, his day had not yet arrived.

 

On completion of primary education, Popo worked at Caroni Ltd as a watchman.  He quit his job about four years ago due to ill health, according to his son Hemant.

 

Of his four children (three sons, one daughter), only two of them, Hemant Sundar, 33, and Harrispersad Sundar 40, have taken up singing.  However, daughter Sundari and last son Jaiknath prefer to be good supporters and listeners.

 

The big break came in 1979 when during their concert tour to Trinidad in 1979, Babla and Kanchan heard some of Popo's songs and were thrilled with this new form of musical expression.

 

They showed interest and borrowing some of his hits, re-recorded them with better orchestration techniques for world audiences.  Soon people around the world were listening to Popo's popular numbers.

 

In addition to his songs reaching most of the continents, Sundar Popo made many overseas concert tours.  His songs gained popularity in North America, Europe, India, Fiji, Mauritius, Guyana and Suriname.

 

Popo recorded hundreds of songs during his career, which spanned three decades.

 

For his contribution to music and culture, he was awarded the Humming Bird Medal (Silver) in 1993.

 

He won the local song contest many times at the Indian Cultural Pageant.  But he never won Mastana Bahar's first prize, although he appeared in the finals on several occasions.

 

As a pioneer of the chutney genre, Sundar Popo enriched the musical landscape.  He touched the hearts and souls of music lovers around the world.

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